June 29: #27, World War Z
I wish it had been boring, so I could make a 'World War Zzzzz' joke
The spring and summer months never have a shortage of
trailers with plenty of “wow” moments, so I kept my expectations in check when
I first saw the trailer for World War Z. Seeing hordes of
zombies rabidly climbing over one another to mount a huge wall was quite a
sight, though, as was the other memorable shot, which featured several zombies
working together to bring down a helicopter.
The trailer hinged upon those two moments (and a “zombies on
a plane” moment that led to zombies and people alike getting sucked out of the
plane at 30,000 feet) so much that I expected World War Z to be a letdown (or as I put it, a “turd”). I mean,
there’s no way that the rest of the film can do those moments justice, right?
A couple of days ago, the wifey and I went to see World War Z and find out for ourselves.
What I ended up seeing was a surprisingly competent summer blockbuster which
only suffered a bit from a bit of an anticlimactic third act and the kind of
logical quandaries that, well, you usually find in summer blockbusters.
Now, I have not read the books and therefore, this is my
first exposure to World War Z,
period. This review is going to be free of the angst that accompanies just
about any film adaptation of a beloved book, then. Also, I don’t really
frequent movie news websites, so I had no idea about the completely re-imagined
ending, production issues, and other problems that plagued the film on its way
to release.
I wasn’t surprised to find that the original ending had been
completely scrapped and changed, though, because the final third of the film,
set at the World Health Organization, provides such a thematic shift from the
larger-than-life action of the rest of the film. Generally, films like this
build to a crescendo rather than featuring a tenser, subtler, more personal
climax. Having said that, I read about the original ending, and it sucked. The film is better for the change, even if it
doesn’t lead as obviously into a sequel, which they are planning on doing,
anyway. (Don’t worry, I won’t spoil the real ending, and it’s nothing like the
original plan, so reading about how terrible the original ending was won’t ruin
World War Z for you.)
The original ending would have featured a huge zombie battle
in Russia, which sure, would have been cool. But it also would have featured
protagonist Gerry Lane’s (Brad Pitt) wife and kids in a compromising situation
where his wife, Karin (played well by Mireille Enos) has to, ahem, “barter”
with her own body in order to receive protection for her and her children,
which then apparently becomes a bizarre love triangle where the soldier who is
“protecting” her encourages Gerry via radio to go find a fresh start and leave
him and Karin alone. Riiiiiight.
That’s beside the fact that Gerry is fighting in Russia
simply because he got off the plane, had a gun thrust into his face, and was
told he’s joining the army. We would have warped to a point in time months
later, where he’s a commando badass type spearheading the battle against the
zombies. Bleh to that, and a double-bleh to the well-worn, sexist assumption
that in any post-apocalyptic situation, women either a) die, b) are
liabilities, or c) become prostitutes to survive.
Anyway, the film has several jaw-dropping visuals, the
zombies are awesome (yes, I am completely in favor of fast zombies- we’re
supposed to believe that people can survive death until shot in the head, but
not that they can run in such an undead state?), and the acting is sturdy
enough for this type of fare. The ending is noticeably tacked on and doesn’t
feel altogether satisfying or particularly great as a setup for a sequel, but
whatever.
The other head-scratcher here is that even though most of the world
has turned zombie, things seem to be running more or less as usual. Everyone
has electricity, people in Israel (with the high walls to keep zombies from
getting in) are not rioting or panicking, etc. There is no real hint of the
wider consequences of most of the population of earth simply ceasing to be
around to perform their usual duties, which I've heard that the book addresses in detail. But hey, that’s just not what the film is
trying to do. Grade: B+
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