July
3: #20, Paths of Glory
“I'm
not afraid of dying tomorrow, only of getting killed.”
Filmed
in the very early part of Stanley Kubrick's career, Paths
of Glory
is a surprisingly tight, concise film that like all of Kubrick's war
films, doesn't focus on the macro-level of war but instead zooms in
on the fallout of a particular conflict.
This
one is similar to Dr.
Strangelove in
that it serves as an indictment of military leaders for viewing their
soldiers as little more than pawns. This is a point that Kubrick
really hits you over the head with, as General Georges Broulard plans
what is essentially a reckless suicide mission where by even his own
estimation, 60% of the French soldiers involved will die.
Broulard
leaves it to General Mireau to go from there, and Mireau's initial
resistance to the plan is washed away when a possible promotion is
hinted at. As Mireau, George Macready is an outstanding villain,
mostly because he balances the coward's mentality of wanting others
to take the blame for his actions with the egotist's belief that he
deserves to be held above such criticism. Mireau hides behind
palatable defenses based on patriotism, duty, and courage instead of
allowing the truth of his own cowardice and ambition to show.
Mireau's
foil is Kirk Douglas as the brave, much-beloved Regiment Colonel Dax,
who fearlessly leads the doomed charge when the time comes. He also
takes it upon himself to defend the men from three companies who are
arbitrarily picked to answer to charges of cowardice when they and
their peers stop advancing when the feebleness of their efforts in
the battle become clear.
Douglas
plays it pretty straight as the strong-jawed, prototypical 1950s film
hero, and his performance mostly works. He gets a moment later in the
movie to raise his voice in righteous defiance and relishes it just
as much as you'd expect. It's a performance that seems pretty dated
and pandering now, but it's well-suited to the film. The movie's
battle sequence, which was not filmed with a big budget and hasn't
really aged well, doesn't really hold the film back, either.
"Well, I've got my gym teacher whistle and my tiny pistol. I'm ready to storm the hill!" |
Overall,
Paths of Glory
makes
a lot of points similar to Dr.
Strangelove,
and even if the latter was the better film, it's an excellent movie
in its own right. The three doomed soldiers hold pivotal roles and
play them well, even though Timothy Carey's Private Ferol is way
over-the-top at times. You still feel for the condemned trio and
Kubrick uses sympathetic directing to really make their plights hit
home when the time comes. This was the film where you can really see
the type of career Kubrick was going to have.
Grade:
A-
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